Eterno Feminino

SANDRINI, A METÁFORA DA RESISTÊNCIA

This exhibition consolidates Teca Sandrini's preference for painting as an oblique language about reality, a knowledge that speaks through the silence of women, their longings and daydreams. In the various techniques and languages she experimented with, the diagonal structure was always present, which the Baroque saw as the best way to express movement and life. 

Apart from the transition zones, Sandrini has at least three major phases. In POLACAS, the fat, young lady, reclusive inside a square and surrounded on all sides by junk, signs of everyday domestic life, oscillates between the naive and the scathing. They are women immersed in their tasks, in their junk - pots, pans, drawers - in an organized madness. Neither heroines nor victims, just housewives bogged down in routine chores. 

Later, in a flirtation with surrealism, animals intertwine with human beings, who gradually fade away and give way to the object until, finally, they give themselves up. In the saturation of objects, Teca feels the need to empty herself... This is the  FRAGMENTS. phase The woman hides and gives way to drawers and chairs - a place of secrets, safekeeping and waiting. 

A flirtation with abstraction emerges. But not pure abstraction - the emotional side of the expressionist doesn't disappear. She exchanges the female form and the animals for the violence of colors and the concentration on the fragment. 

The galloping difficulty of vision inaugurates MANCHAS phase, in which the artist allows herself to play with shapes. The concrete and the geometric merge with the emotions of life, dressed in stains, spontaneity and expressiveness, approaching all over. Strong colors give way to large stains and, in the lights that go out, white sprouts as light. A new, non-narrative painting emerges. 

Today's Teca is outlined in stains. Apart from the journey through the Marias, which seem to be a concert with all the women of the past, her paintings are reminiscences of life. You have to lose the earthly paradise to truly experience it, said Bachelard. The loss of part of the sight sharpens the gaze and intensifies the desire to see the world. Her painting continues to be the exercise of a profane religion, because it is immersed in the world; ontological, because it is immersed in the immensity of the language of art; intimate - and therefore true. Metaphor of resistance, poetics of the gaze, praise of the hand. 

Maria José Justino 
Curator

For the Oscar Niemeyer Museum, art and artists from Paraná play an important role and are always present in exhibitions and in the institution's permanent collection.

Here, visitors will be able to see a cross-section of Curitiba artist Teca Sandrini's work, from the 1960s to the present day. Her exhibition "Eterno Feminino", held by MON, brings together more than 100 paintings, drawings, prints and sculptures. 

With great sensitivity, she portrays women in different ways, in different contexts and times, as well as their feelings, sensations and emotions.

Artists often give clues, through their work, about the way they see life. Teca has always been an attentive observer of the world around her, which is clear, implicitly and explicitly, in her work. 

The result is a vast production, which has already been presented in cities throughout Brazil and the world and is part of various collections. 

Museums are living spaces of knowledge whose mission is to promote a constant dialog between artists and the public. By bringing this artist's exhibition to the locals and to all visitors, MON provides belonging and appreciation of local culture.

Juliana Vellozo Almeida Vosnika
CEO of the Oscar Niemeyer Museum

1944

- Teca Sandrini was born on April 9th in Curitiba. Daughter of Stella Braga and José Ernesto Erichsen Pereira.

1951

- She joined the school Colégio Nossa Senhora de Sion.

1961

- She joined Colégio São José, where she finished high school.

1962

- She began attending the free painting course run by Guido Viaro, who kept his studio in the attic of the Paraná School of Music and Fine Arts (EMBAP) in Curitiba. 

1963

- She joined the painting course at EMBAP.

1965

- She won an award at the 9th Salon of Plastic Arts for New People, organized by the Paraná Department of Education and Culture, in Curitiba. 

- He began working as a librarian's assistant at the Paraná Public Library.

1966

- She won awards at the 10th Salon of Plastic Arts for New Talents, organized by the Paraná Department of Education and Culture; and at Salão Arte Primavera, held at the Concórdia Club in Curitiba.

1967

- She won an award at the 1st EMBAP Academic Directory Show. 

- She participated in the group exhibition Decorative Art, at EMBAP.

- She graduated from EMBAP. 

- She married Romolo Sandrini.

1968

- She graduated in Didactics of Drawingfrom the Faculty of Philosophy of the Catholic University of Paraná.

1969

- Her daughter, Giovanna Sandrini Berberi, was born.

- She began her teaching career teaching drawing at the Maria Aguiar Teixeira State School in Curitiba.

1970 

- She moved to Buenos Aires (Argentina).

1971/72

- She attended the studio of sculptor Juan Carlos Labourdette in Buenos Aires. 

1972

-She took ceramics classes with Gladys C. de Migliorini, also in Buenos Aires.

1973

- She returned to Brazil.

- Her son, Juliano Pereira Sandrini, was born.

- She took part in the group exhibition Resin and Metal, at the Curitiba Creativity Center. 

1974

- She is part of the first group of artisans to set up shop at the Largo da Ordem market in Curitiba.

- She began teaching ceramics and sculpture at the Curitiba Creativity Center, where she remained until 1978.

- She participated in the course Art and Creativity, taught by Tom Hudson, at the Curitiba Creativity Center. 

- She taught the Resin Workshop, at the Exhibition Hall of the Paraná Development Bank (BADEP), in Curitiba.

1975

- She took part in the courses Initiation to the Plastic Arts, with the critic Roberto Pontual, at the Guido Viaro Museum; and Bronze Sculpture with the sculptor Francisco Stockinger, at the Curitiba Creativity Center. 

- She organized and took part in the exhibition Tapeçarias , with drawings by artists from the Curitiba Creativity Centre and weavings by inmates from the Piraquara Women's Penitentiary, at the Curitiba Cultural Foundation headquarters. 

- In Curitiba, he took part in the group exhibitions Artes Técnicas , at BADEP; and Orientadores do Centro de Criatividade, at the Cultural Foundation headquarters.

1976

- She took part in a ceramics course with ceramist Marek Cecula at the Curitiba Creativity Center. 

She held her first solo exhibition at the Curitiba Cultural Foundation, presenting sculptures in polyester resin.

- She took part in the group exhibitions Esculturas em Bronze , at the Curitiba Cultural Foundation headquarters; and Collective of the Curitiba Creativity Center, at the Joinville Art Museum (SC).

1977

- She began voluntary work as an art teacher at the Paraná Women's Penitentiary, where she worked until 1983. 

- She organized the 3rd Tapestry Exhibition, by inmates of the Piraquara Women's Penitentiary, at the Curitiba Cultural Foundation. 

- She took part in the group exhibition Orientadores do Centro de Criatividade de Curitiba, at Casa da Cultura in Joinville (SC); and, in Curitiba, in the group exhibitions Arte e Pensamento Ecológico, at the Centro de Criatividade, and 2nd Exhibition of Art and Artistic Techniques , at BADEP. 

1978

- She took part in the collective exhibitions Novas Tendências , at the Joinville Art Museum (SC); and Panorama da Arte no Paraná - IV Artistas Contemporâneos, at BADEP, in Curitiba.

1979

- She began working as a cultural affairs technician at the Paraná Department of Culture and Sport, where she worked, among other things, on the production of exhibitions, competitions and fairs.

- She won an award at the 7th Jacarezinho Plastic Arts Exhibition, organized by the Paraná Department of Culture and Sport, in Jacarezinho (PR).

1980

- She won awards at the 4th Iguaçu Art Salon, run by the Paraná Department of Culture and Sport, in Foz do Iguaçu (PR); and at the 1st Assis Plastic Arts Salon, run by SESC and the Assis City Hall (SP).

- She started as a teaching assistant in the Industrial Design course at the Pontifical Catholic University of Paraná (PUC-PR).

- Participated in the group exhibition Artists from Ohio's Brazilian Sister States Paraná, at the Hiestand Gallery, Miami University, Oxford; and at the N.O.V.A. Gallery, in Cleveland, Ohio (USA).

1981

- She won an award at the 34th Plastic Arts Salon of Pernambuco, organized by the Recife Department of Tourism, Culture and Sports. 

1982

- She won an award at the <401>1st Mini-Painting Exhibition</401>, held by the Syrian-Lebanese Club of Paraná, in Curitiba. 

- She took part, as a special guest, in the 3rd Assis Plastic Arts Exhibition, in Assis (SP).

- She organized the exhibitions Arte é Liberdade and Manufatura de Tapeçaria da Penitenciária Feminina de Piraquara (Tapestry Manufacturing at the Piraquara Women's Penitentiary)at Sala Bandeirante de Cultura in Curitiba, with works by inmates.

- Together with Ennio Marques Ferreira, she organized the exhibition Miniquadros das Internas da Penitenciária Feminina de Piraquara (Mini-painting of the inmates of the Piraquara Women's Penitentiary), at Clube Sírio Libanês do Paraná, in Curitiba.

- She took part in the group exhibitions Coletiva de Desenho, at Galeria Rodrigo Mello Franco de Andrade (FUNARTE/INAP), in Rio de Janeiro; Free Art Box Partners of the Americas, in Ohio (USA); and, in the Miguel Bakun Room of the Paraná Public Library, the group exhibitions Registro da Escultura Paranaense de Hoje and Caixa Arte Livre.

1983

- She held the exhibition Dois Artistas Paranaenses , at Banco Itaú Gallery, in São Paulo and Campo Grande. 

- She took part in the group exhibitions Eight Artists from Paraná, at the Museum of Modern Art of Bahia, in Salvador; and Paranaenser Kuenstler Stellen in der Schweiz Aus, at the Aarau Museum of Art (Switzerland). 

- She won awards at the 2nd Mini-painting Exhibition, of Clube Sírio Libanês do Paraná; and at the 40th Salão Paranaense, of Paraná Department of Culture and Sport, in Curitiba. 

1984

- She began specializing in Philosophical Anthropology at the Federal University of Paraná (UFPR). 

- She in the university extension course Existentialism and Marxism, also at UFPR. 

- The exhibition Estela Sandriniwas held at Caixa de Criação Art Gallery in Curitiba. 

- She took part in the group exhibitions Artists of Paraná, at the Armando Álvares Penteado Foundation (FAAP), in São Paulo; and Current Values of Paraná, at FUNARTE's Macunaíma Gallery, in Rio de Janeiro. 

- She won an award at the 6th Brazilian Drawing Exhibition, organized by the Paraná Department of Culture and Sport, in Curitiba. 

1985

- She took part in the group exhibitions Velha Mania, at Parque Lage School of Visual Arts, in Rio de Janeiro; and Traço e Volume, at Museu de Arte Brasileira (FAAP), in São Paulo, and at the Museu de Arte de Santa Catarina, in Florianópolis. 

- She won an award at the National Fine Arts Salonat the Goiânia Art Museum. 

1986

- The exhibition Estela Sandriniwas held at the Poupança Banestado Art Gallery in Londrina (PR). 

- She took part in the group exhibition Tradition/Contradiction, curated by Maria José Justino, at the Museum of Contemporary Art of Paraná (MAC-PR), as an artist and researcher.

- She was part of the group exhibitions Art and Peace, at the Teatro Guaíra exhibition hall, in Curitiba; Paraná Color and Form, at the National Museum of Fine Arts, in Rio de Janeiro; Paths of Brazilian Drawing, at the Museum of Arts of Rio Grande do Sul, in Porto Alegre; and Arte 13 de Curitiba, at FAAP, in São Paulo.

- She was awarded prizes at the 43rd Paranaense Salon, run by Paraná Department of Culture and Sport; and at the 7th Printmaking Exhibition, run by the Curitiba City Print Museum. 

1987

- She has held the exhibitions Estela Sandrini and Guita Soifer, at the Santa Catarina Museum of Art, in Florianópolis; and Small and Large Images by Estela Sandrini, at Imagem 3 Escritório de Arte, in Curitiba. 

- He took part in the group exhibitions Homage to Printmaking - Exhibitions of Printmaking Biennial Award Winners, at Galeria Arte Correa, in Curitiba; Art on Paper, at the Goiânia Art Museum; and Curitiba Young Engravers Exhibition , at FAAP (São Paulo), Fundação Cultural do Distrito Federal (Brasília) and Museu de Arte de Santa Catarina (Florianópolis).

- She was part of the technical guidance team led by Maria José Justino for the creation and formation of the collection of the Paraná Art Museum (MAP). 

1988

- She moved to Baltimore, Maryland (USA).

- She took painting courses with Dan Dudrow and monotype courses with Sam Peters at the Maryland Institute College of Art in Baltimore.

- She held the exhibition From Brazil: Estela Sandrini, at the Katzenstein Gallery in Baltimore.

1989

- She held the exhibition Estela Sandrini: Paintings and Drawings, at the Art Gallery of Brazilian American Cultural Institute, Washington, D.C. (USA).

- She cofounded the Maryland Printmakers group.

- In Maryland, she participated in the group exhibitions Les Femmes des Arts, at the Eubie Blake Cultural Center, in Baltimore; Maryland Printmakers, at the University of Maryland Eastern Shore, in Princess Anne; and Maryland Printmakers, at the Daedal Fine Arts Gallery, in Fallston Mall.

- She returned to Brazil.

- She held the exhibition Estela Sandrini - Drawing, Painting, Engravingwas held at MAC-PR.

- She participated in the group exhibition Premiados da Bienal de Gravura, at Solar do Barão, in Curitiba.

- She participated in the II Art Print Seminar, at Casa da Gravura, Solar do Barão, Curitiba.

- She collaborated as a researcher on the book De Bona, um Exercício de Criação, by Maria José Justino, published by Scientia et Labor of UFPR and the Paraná State Department of Culture.

- She organizeed the Lithograph Workshop with Juergen Strunck, from the University of Dallas, at Solar do Barão, in Curitiba.

1990

- She began teaching at the Paraná School of Music and Fine Arts (EMBAP), where she remained until 1998.

- She participated in the exhibition Renovation of Values, at Cocaco Galeria de Arte, in Curitiba. 

- In the state of Maryland (USA), she took part in the group exhibitions Maryland Printmakers, at the Knight Gomes Gallery; Maryland Printmakers, at The Gallery at Catonsville Community College; Maryland Printmakers in Action, at the City Hall Coutyart Galleries, in Baltimore; Maryland Printmakers, in Fallston; and Significant Impressions - Maryland Printmakers, at Marlboro Gallery, Prince George's Community College, in Largo.

- She executed the print album Print Folio Exchange, with the Maryland Printmakers group.

- She taught the course Monoprint in Black and Whiteat Solar do Barão printmaking studio in Curitiba.

1991

- She took part in the group exhibitions Maryland Printmakers in Brazil, at the Museu da Gravura Cidade de Curitiba, and on the campus of the Universidade Estadual do Rio de Janeiro (UERJ), in Rio de Janeiro; Three Artists - Estela Sandrini, Jussara Age and Dina de Oliveira, at the Novorumo Interni Gallery, in Curitiba; and City of Curitiba Printmaking Exhibitions - Printmakers, at the Museum of Contemporary Art in São Paulo.

- In Baltimore, Maryland (USA), he took part in the group exhibitions Seven Maryland Printmakers, at the Baltimore City Community College - Liberty Campus Art Gallery; Maryland Printmakers: Recent Work, at The Loyola College Art Gallery; Maryland Printmakers, at The Maryland Institute College of Art; and, in Laurel, also in Maryland, at the group show Works by the Maryland Printmakers, at the Montpelier Cultural Arts Center. 

- She produced the engraving album Love, at the Engraving Museum of the City of Curitiba.

1992

- She taught the course Monoprint at the engraving studio of Alfredo Andersen Museum in Curitiba. 

- She took part in the exhibition Three Printmakers at Andersen - Estela Sandrini, Guido Viaro and Guita Soifer, at Alfredo Andersen Museum in Curitiba.

- She participatesd in the group exhibitions <953>IX Engraving Exhibition of the City of Curitiba - Award Winners</953>, at the Engraving Museum of the City of Curitiba; <959>Highlights of the Engraving Exhibitions of the City of Curitiba</959>, at the Engraving Museum of the City of Curitiba; at the Museum of Contemporary Art of USP, in São Paulo; and at Prince George’s Community College - Marlboro Gallery, in Largo, Maryland (USA).

1993

- She held the exhibition Estela Sandrini: Painting and Printmaking, at the Banestado Art Gallery in Curitiba.

- She took part in the joint exhibition Curitiba seen by Estela Sandrini, Ida Campos and Suzana Lobo, at the PUC-PR exhibition hall in Curitiba.

- She took part in the group exhibitions Painel Sebrae de Artes Plásticas, at the FAAP Museum of Brazilian Art, in São Paulo; Homenagem Professor Guido Viaro, at the Guido Viaro Museum, in Curitiba; Curitiba 300 Anos, at the Museu da Gravura Cidade de Curitiba; Horizontes, at Espaço Sebrae, in Brasília; Maryland Printmakers, at the Secretary of State for Culture, in Curitiba; and at Paço das Artes, in Cascavel; and Maryland Printmakers Folio, at the National University of Brasília.

- She participated in the group exhibition Contemporary Prints from Brazil, at the Montpelier Cultural Arts Center, in Laurel, Maryland; and at the Brazilian American Cultural Institute, Washington, D.C. (USA).

- In the state of Maryland (USA), she took part in the group exhibitions Contemporary Prints From North and South America, at the City Hall Courtyard Galleries, in Baltimore; The Four Elements - Maryland Printmakers, at the Kentlands Mansion Gallery, in Gaithersburg; and Maryland Muse:. Prints and books by Maryland Printmakers, at Pyramid Atlantic Art Center in Riverdale.

- It illustrates the book A History of Paths, 2nd edition, by José Ernesto Erichsen Pereira.

- She produced the engraving album A History of Paths, at the Engraving Museum of the City of Curitiba. 

- It's an article in the magazine LatinFinance, from Florida (USA).

1994

- At Solar do Rosário, in Curitiba, she taught the course Monoprint and held the exhibition Estela Sandrini Exhibition. 

- She took part in the group exhibition Suite Vollard, Picasso - Uma Interpretação Paranaense, at MAP and the Londrina Art Museum (PR).

- She executed the print album Self-Portrait, Print Folio Exchange, with the Maryland Printmakers group.

1995

- She took part in the group exhibitions 50 Anos do Salão Paranaense, at the MAC-PR, in Curitiba; and Suite Vollard, Picasso - Uma Interpretação Paranaense, at the Santa Catarina Museum of Art (Florianópolis) and the Goiânia Museum of Art.

- In the USA, she took part in the group exhibitions Maryland Printmakers - Print Folio, at the Museum of Prints and Printmaking, Washington, D.C.; and Maryland Printmakers, at West Chester University, in Pennsylvania.

- She executed the print album MAPS, Print Folio Exchange, with the Maryland Printmakers group.

1996

- The exhibition Estela Sandriniwas held at the Fundación Centro de Estudos Brasileños, in Buenos Aires (Argentina).

- She took part in the group exhibitions 200 Years of Lithographs – Engraving Museum, in Curitiba; Contemporary Printmakers from Paraná, at Paço Imperial, in Rio de Janeiro; Maryland Printmakers, 'MAPS' Folio, at the Easton Academy of Art, in Easton, Maryland (USA); and at the Parents' Association Gallery, Maryland University, in College Park.

- She illustrated Arnaldo Cohen's musical program for a concert at Teatro da Reitoria in Curitiba. 

1997

- She held the exhibition Estela Sandrini - Retrospective, at the Municipal Museum of Art (MuMA), in Curitiba. 

- With Guita Soifer and Jussara Age, she held the joint exhibition Simultaneous Limits, at Antonio Francisco Lisboa Hall, PUC-PR, in Curitiba.

- Participates in the group exhibition Guido Viaro, 100 Years: Interpretation 97, at MAP, in Curitiba.

- In the state of Texas (USA), she participated in the group exhibitions Contemporary Brazilian Prints, at the University of Dallas, in Irving; at Midwestern State University, in Wichita Falls; at the Spring Creek Gallery, Collin County Community College, in Plano; and at the University of Texas of the Permian Basin, in Odessa.

1998

- She had a solo exhibition as part of the Artist of the Month project at the Alfredo Andersen Museum in Curitiba.

- She participated in the group exhibitions Traços e Palavras, at Caixa Econômica Federal, in Curitiba; and Contemporary Brazilian Prints, at Abilene Christian University, in Abilene, Texas (USA), and at Louisiana State University, Baton Rouge, Louisiana (USA).

- The book Estela Sandrini:is published. O Sensível Devaneio da Racionalidade, by Maria José Justino. 

- It's an article in Revista Ventura, from São Paulo. 

1999

- She organized the exhibition Peace Drawn by Quino, at the Federal University of Paraná, in Curitiba. 

- She illustrated the UFPR agenda and the Positivo Group handout.

2001

- She held the exhibitions The Visible and Invisible, at Gallery Art at Format, in New York (USA); and O Visível e o Invisível, at Galeria de Arte Freletti e Rubbo, in Curitiba.

- She took part in the joint exhibition Das Sischtbare und das Unsichtbare, at the Brasilianisches Kulturinstitut in Deutschland, in Berlin (Germany).

2002

- She has held the exhibitions Estela Sandrini, at the Gallery Art at Format, in New York (USA); Estela Sandrini, at the Alfredo Andersen Museum, in Curitiba; and Memory and Perception, at the Ecomuseu Itaipu Binacional, in Foz do Iguaçu (PR).

- She participated in the group exhibition Homage to Adalice Araújo, at MAC-PR, in Curitiba.

2003

- She held the exhibitions Memory of Color, at Galerie Gora, in Montreal (Canada); and Estela Sandrini - Caminhando, at Casa da Praça, in Castro (PR).

2004

- She held the exhibition Estela Sandrini, at the Livio Abramo Gallery - Cultural Center of the Brazilian Embassy, in Asunción (Paraguay).

- She held the joint exhibition Três Mulheres Três Poéticas - Estela Sandrini, Letícia Marquez e Maria Cheung , at MuMA, in Curitiba.

- She took part in the group exhibition Universo Feminino , at Alfredo Andersen Museum in Curitiba.

- She curated the exhibitions Mostra Midrash, by Yara Martins, at MuMA, in Curitiba; and Martha Reichmann - Ritmos e Tensões, at Galeria Livio Abramo - Cultural Center of the Brazilian Embassy, in Asunción (Paraguay) and at the University Museum of PUC-PR. 

- She organized the educational project Revelando Olhares, with children and teenagers from Ilha do Mel and Pontal do Sul (PR), which resulted in an exhibition at the Curitiba Memorial. 

2005

- She held a printmaking exhibition in homage to Emília Erichsen at the Emília Erichsen House of Culture in Castro (PR).

- She held the joint exhibition Três Mulheres Três Poéticas – Estela Sandrini, Letícia Marquez e Maria Cheung , at Itaipu Ecomuseum, in Foz do Iguaçu (PR).

- She took part in the group exhibition Hémisphères L'Empreinte, at the University of Lyon (France).

2006

- She held the exhibition Luzes que se apagamwas held at the Andrade Muricy House in Curitiba.

- She organized the exhibition 40 years of Quino, at Solar do Barão, Cinemateca and public spaces in Curitiba. 

- She collaborated on the publication of the book 40 Anos de Amistoso Envolvimento com a Arte, by Ennio Marques Ferreira. 

- She was quoted in Dicionário das Artes Plásticas no Paraná, by Adalice Araújo. 

- She received the Barão do Cerro Azul Cultural Merit Medal from the Curitibano Club in Curitiba. 

2007

- She held the exhibitions Luces que se apagan, at Centro Cultural Borges, in Buenos Aires (Argentina); and Gravuras dos anos 80s, at the Engraving Museum of the City of Curitiba. 

- She took part in the group exhibition Espaço, Tempo, Estrutura, Abstração – Diálogos entre Arte e Matemática , at the UFPR Art Museum in Curitiba.

- She organized the exhibition Guido Viaro - Um Visionário da Arte , at the Oscar Niemeyer Museum (MON), in Curitiba. 

- She curated the exhibition As Mulheres na Arte de Viaro , at Ecomuseu de Itaipu, Espaço das Artes, in Foz do Iguaçu (PR).

2008

- The monograph by Rosângela Grafetti, specializing in Art History at PUC-PR, entitled Memória do Olhar:is published. A Produção Artística de Estela Sandrini de 1997 a 2007.

2010

- She took part in the group exhibitions O Estado da Arte - 40 anos de Arte Contemporânea no Paraná 1970-2010, at MON; Entre Amigas - Retrospectiva Guilmar Silva e Estela Sandrini, in the Events Room at Positivo University; and Por que pintura?, at Solar do Rosário, in Curitiba.

2011

- She became director of the Oscar Niemeyer Museum (MON), where she remained until 2017.

- She participated in the group exhibition Salão Paranaense: A Uma Retrospectiva - Desejo de Salão, at MON in Curitiba.

2012

- She took part in the group exhibition PR BR - Production of the Symbolic Image of Paraná in Brazilian Visual Culture, at MON, in Curitiba.

- She is a participant in the II International Congress of Museology: Patrimonies and Collections, at the State University of Maringá (PR).

2013

- She participated in the group exhibition Plano e Relevo, at Galeria Zilda Fraletti, in Curitiba.

2014

- She is the curator of the exhibitions Histórias do Acervo MON , at MON, in Curitiba; and Poty, de Todos Nós , at Caixa Cultural in São Paulo.

2016

- She is co-curator of the exhibition MAC-MON: Um Diálogo, at MON, in Curitiba.

2018

- She held the exhibition O que Havia e o que Resta, at the Juarez Machado International Institute, in Joinville (SC).

- She participated in the group exhibition Belas Artes 70 Anos:  Ensinando e Produzindo Arte , at the Paranaense Museum in Curitiba.

2021

- In Curitiba, she held solo exhibitions O que Resta, at Espaço Cultural BRDE, and O Sentido do Olhar, at MuMA.

- She took part in the group exhibition Enquanto Tudo Queima, at MAC-PR, in Curitiba.

2022

She took part in the group exhibition Painting + Teaching, at Alfredo Andersen Museum in Curitiba.

2022/2023

- She organized the exhibition Os Significadores do Insignificante , by Efigênia Rolim and Hélio Leites, at MAC-PR, in Curitiba. 

- She took part in the group exhibitions Sobre Mulheres , at the UFPR Art Museum; and Belas 75 - Caminhos da Arte Paranaense, at MuMA, in Curitiba.

2024

- She illustrated the calendar and diary for the Paraná Public Prosecutor's Office.

2025

- She took part in the group exhibition Reverberações Surrealistas, at the FAAP Museum of Brazilian Art, in São Paulo.

- She organized the exhibition Guita Soifer - A Trama Intrincada do Tempo, at MAC-PR, in Curitiba.

- Lança seu livro de memórias Fogo no Bordel - Memórias de Teca Sandrini.

- She held the solo exhibition O Eterno Feminino , at MON.